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At Sundown |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Walter Donaldson |
Originally by Bert Kaplan and His Collegians REC, George Olsen and His Music - Vocal Refrain by Bob Borger, Fran Frey, Bob Rice REL |
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Comes Love |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Charles Tobias, Lew Brown, Sam H. Stept |
Originally by Harry James and His Orchestra - Vocal Chorus Connie Haines |
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Deep in a Dream |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Eddie DeLange, Jimmy Van Heusen |
Originally by Bob Crosby and His Orchestra - Vocal Chorus by Marion Mann |
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Falling in Love Is Wonderful |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Irving Berlin |
Originally by Bing Crosby with Orchestra directed by Jay Blackton REC,REL, Ethel Merman & Ray Middleton PRF |
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I'll Never See Maggie Alone |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Henry Tilsley, Lawrence Wright |
Originally by Teddy Brown and His Café de Paris Band |
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It's a Blue World |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
George Forrest, Robert Wright [US1] |
Originally by Glenn Miller and His Orchestra - Vocal Refrain by Ray Eberle REC,REL, Tony Martin with Orchestra directed by Ray Sinatra BRD |
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I've Grown Accustomed to Her Face |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Alan Jay Lerner, Frederick Loewe |
Originally by Rex Harrison REL,PRF |
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My Shining Hour |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Harold Arlen, Johnny Mercer |
Originally by Glen Gray and The Casa Loma Orchestra - Vocal Chorus by Eugenie Baird REC, Joan Leslie with Freddie Slack and his Orchestra BRD |
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Pow Wow |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Joe Puma |
Covered by Matteo Raggi, Paolo Alderighi, Davide Brillante |
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Samantha |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
Cole Porter |
Originally by Bing Crosby |
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What Is There to Say |
Warren Vaché with Joe Puma, Murray Wall and Eddie Locke |
E.Y. Harburg, Vernon Duke |
Originally by Jane Froman & Everett Marshall |
